Archives for AI

Reimagining Film Fests Panel

After I published my recent piece on film festivals (which also ran in IndieWire), I started having a discussion with Rebecca Green of the Dear Producer newsletter about many things, including what the film fest of the future might look like. She invited me to a panel she’s hosting on the subject – this Friday at 2pm ET – and you can register for it here. I’ll be joining a few people I think are among the smartest in the biz – Karin Chien, Marilyn Ness and Rebecca (moderating) to imagine what it would look like to re-imagine festivals in a way that helps everyone – the festivals, filmmakers and audiences.

One of the ways I’ve been thinking about this panel is – if festivals didn’t exist at all, what would we create from scratch? I think that helps frame the discussion in a different manner than usual. It’s also a question I asked in a post back in 2013 – and that I return to often- “The question should be, what do filmmakers need most now? And is what they need something that a festival can help with, or do we need to start something different to solve this need? If filmmakers got together in the same spirit that led them to create film co-ops and festivals (and filmmaker organizations, and magazines, and…) then what would they make together today?” Of course, festivals also must serve audiences, and they’re all trying to survive a global pandemic. But the hope is by asking what would be build that would be most helpful for filmmakers (all of whom are coming with different needs, too, btw), then maybe we can add these ideas to what gets built out of this crisis. It is one of many different conversations being had right now – I’ve been on two other zoom panels about it this week alone, and know of two more (at least), but it’s one I hope will be interesting. 

Join us for the discussion on Friday.

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Some Facts from the Streaming Wars

Via StreamingObserver

A few tidbits from the streaming wars, just this week:

  • It is now estimated that the major streamers – Netflix, Apple+, Disney+, Hulu, Amazon Prime, HBO Max – will spend more than $30 Billion on content in 2020. This doesn’t even include Peacock, CBS All Access or the numerous other platforms. 
  • And in the fight for eyeballs to watch that content, they’re pouring billions into advertising, making up for the decline in advertising from other sectors (see below);
  • But less of that money is going into films, as more of it goes into episodic (tv) shows, originals and licensing of major library titles. Netflix’s film library has now dropped 40% since 2014, according to StreamingObserver. in 2014, Netflix had around 6,500 movies, and now it’s got 3,849. 
  • Yet even with that drop, Netflix dominated the “indie” Gotham Awards – winning more than half the awards given this week.
  • One could lament this fact, but let’s face it – one of those awards was for When They See Us, by Ava DuVernay (who was also honored), and while Netflix and other SVODs may be lessening their support for indie film overall, they are leading the way with diversity. This is no small matter. 
  • And let’s face it – Netflix is also a data company. If there was a compelling case for investing in buying more films – especially indie/arthouse films – they would be doing it. The data is showing them that too few people watch these films. The StreamingObserver article above makes it seem like film is losing out due to original content spend, but it’s losing out because that’s what people want.
  • Meanwhile, 3853 feature films were submitted to Sundance this year. Yes, that’s 4 more than Netflix offers. Let that sink in for awhile.
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Unplugging; Brands; impact and film and more news.

Well folks, “below the fold” is the news for this week – and for awhile. As my longer-term readers know, I take every August off for a writing and social media vacation. Every year since 2010, which means for ten years now (!!!), I’ve unplugged from the web – except for work – for the entire month. I don’t check blogs, read any online news, f-around with Instagram, Facebook, Twitter, or any other social media. I am not lucky enough to be able to completely unplug – I do take emails from clients and other general work for the first two weeks of August, but then I actually stop checking emails for the latter half of the month and am completely off-line through Labor Day.

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Arts/Film Ethics, the State of AI & Film, the Doc Market and more news

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Ten Trends to Embrace in Branded Content and other Sub-Genre news for April 25

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Pre-Sundance 2019 Sub-Genre News – what I’ll be talking about at the Dance

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The Crisis in Indie Film History Viewing (and Preservation)

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Artificially Intelligent: musings on AI, Voice, DA’s and Film

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