future

Inventing the New Reality

Rube Goldbergin’ some Sanitizer

Last week, I looked at all of the ways I think the film industry is going to be impacted by this crisis, and how we won’t be going back to normal. I promised a Part Two that would be more positive, but remember that I did post positive thoughts just a week earlier. If you are looking for a list of clear solutions, quit reading now. I don’t have them, and I don’t think anyone else does, either. Instead, here’s some thoughts on how we should approach this new reality – a mindset we might bring to the situation – in the form of some slogans we would do well to remember. These are mainly written towards arthouse/indie filmmakers, but I think they apply to branded content folks (my other audience) as well.

It’s not til the Tide Goes Out that You See Who’s Swimming Naked
Often attributed to Warren Buffet, I think this slogan applies pretty well to the film business right now (all business?). While a lot of the damage from the crisis is unique – so many people losing jobs at once, no one can gather or work together, etc. – there’s also a fair amount of things that always sucked about the film business, but this crisis just laid them bare, to where we can’t deny their reality any longer. Guess what? Festivals – other than the top 5-6 – never helped sell films. As Marj Safinia said in a group conference call I was on recently – that was a false security blanket that has now been removed. The indie film world, and docs in particular, were never a sustainable career-path.  Arthouse distribution and exhibition was always a shitty business. A lot of this was a house of cards. It sucks to have a band-aid ripped off fast, but the pain ends quicker. I know this sounds pessimistic, but it’s not – now that we’ve been forced to collectively realize that few of us have our pants on below those Zoom screens, we can also start to build something based less on fiction and more on the reality we now know we live in.
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Ten Predictions for Indie/Arthouse Film

Last week, I ran my predictions for branded content, both here and in a guest post for Brand Storytelling. This week, I’ve got my predictions and wishes for indie/arthouse films in 2020. I say wishes, not just predictions, because as you’ll see below, some of these are clearly more about what I wish, or hope, will happen than what I predict with any certainty. Not that I hope all of my predictions come true either – in fact, I hope I am wrong about the more pessimistic predictions. I’ve been writing predictions for the film world since 2006, and while I haven’t kept a running total, I’ll admit that some of them have been dead-wrong, while more than a few have been pretty accurate, if sometimes off by a year. So I freely admit in advance that I might be wildly wrong. At any rate, here goes:

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Missing the Boat on Curation

Every brand is now a studio. Every day, a new brand enters the fray of content creation. They all want to be filmmakers. And I obviously think that’s a good idea in general, or I wouldn’t advise brands on how to do it, smarter. But at a time of superabundance, when the last thing the world needs is another movie, smart brands should be thinking more about curation than creation.

Mind you, I didn’t say every brand. People trust certain brands and not others, and curation only works when there’s trust involved.  But for those brands that have built such trust and have the following to prove it – there’s a unique opportunity, and a glaring gap in the market for smart curation.

As I mentioned a couple of weeks ago, Joe Marchese wrote about curation and the attention economy for Redef recently, and pointed out: “…The brands, retailers, and media companies that understand how to operate in the current Attention Economy will become trusted curators and shape the future of culture and commerce.” (emphasis mine). 

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Surviving the Trifecta Dash, Fake film fests, brain machine interfaces, new branded content and more

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Entrepreneurial Producing, in memory of Steve Golin; Facebook & Blockchain & Film and More

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Ten Trends to Embrace in Branded Content and other Sub-Genre news for April 25

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Towards a New Public Media, and more Sub-Genre news for April 3

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The Skoll Report on Impact Entertainment and other Sub-Genre News for March 7

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Five Sundance Takeaways, the death of Media and More Sub-Genre news

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CES Quick-takes and more Sub-Genre news for Jan 11

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Sub-Genre News, Predictions for 2019 and more news you might use

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Sub-Genre News, Sept 13: NY Indie Guy Retrospective, Camden Film Fest & More

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Sub-Genre News July 26: BrandStorytelling & August Social Media Vacation Edition

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Artificially Intelligent: musings on AI, Voice, DA’s and Film

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Net Neutrality and Film

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We are Fucked, or: Art Films in the Age of the Algorithm

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Predictions for 2016

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The Coming DSM Wars

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More on Blockchain and Film/Arts

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Ten Predictions for 2015

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Blockchain and the transformation of the ownership of digital culture

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End Of Story, panel today

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Ten Predictions for 2014

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