Archives for December 2011

Why I’m supporting RICKY on LEACOCK

As many of you know, I’m helping Jane Weiner with her Kickstarter campaign for RICKY on LEACOCK

As of this posting, we have five days remaining and close to $15,000 left to raise. I’m helping Jane because Ricky Leacock was such an inspiration to me. While I never met him, he was one of the leading pioneers of the documentary field – he is the actual link from Flaherty to today’s documentary legends and to those just becoming documentary filmmakers. He was one of the pioneers in developing and using smaller cameras, synching their sound and in thinking about how technology impacts documentary form. He is (along with many others) one of the people who contributed to today’s culture, where anyone can pick up a camera and become a filmmaker.

I’ve seen a rough cut of this film, and I think Jane and her team are making an incredible tribute to him. One which will stand on its own as an important film, but that will also be an important historical document which will be crucial to film schools, film history and as a result, the future of the field.

Jane just posted an update to the campaign with video of comments made by Ed Pincus, Michel Negroponte, Ross McElwee and Mary Jane Doherty at the MIT Leacock memorial on June 11, 2011. It’s a great video to watch with lots of great comments on why Ricky Leacock was so important. I also recommend you read her post on Ted Hope’s blog, it’s a really inspiring post, and several people have left comments saying as much themselves.

I highly recommend checking out the Kickstarter campaign and considering making a donation. Even if you can’t make a donation, please help spread the word. I want Jane to be able to finish this tribute, and I hope you will help us reach her goal – $25,000 by January 1st at 3:09pm est. Visit. Pledge. Share. Repeat.

Looking back on a year of social change

I’ve been thinking a lot lately about the role of the arts, and individual artists, in regards to social change. Not just any social change, but specifically in regards to political change. I’ve been thinking about it off and on all year. First, back on Jan 31, 2011, I posted some thoughts (on my old Springboard blog) in reaction to the Arab Spring protests and what they might mean globally. Not much later, I gave my DIY Days talk proposing that artists needed to get more involved and “reclaim” the political aspects of DIY. Then last week, I posted a somewhat depressing look at the global economy and what impact it might have on the arts.

I went back to that first post earlier today, and found it eerily prescient of what we’re seeing today with OWS and other global protests, and still quite relevant. Not that I predicted any future, or anything, but I do think it’s worth revisiting that post today. I’ve cut/paste the last half of that article below, and the original is still here. I’ll be posting more thoughts on the subject soon.

_____ from Jan, 2011 _____

Malcolm Gladwell and Clay Shirky can argue all day whether or not social media helps spread a revolution, but something much more fundamental is going on here. Twitter, Facebook and other social media may not have started the revolutions, but they’ve been a part of it, mainly because of the most important factor in these revolutions – a growing young population very aware of the failures of the old regimes, often well-educated but frustrated by their job and future prospects, tightly connected to one another through social networks both new and old and, quite literally, with nothing much to lose. True, there are people of all generations involved in these protests, but the influence of a hyper-connected class of youth has been a very strong component of these recent events. They may be joined by many others, but youth unemployment and disaffection are at an all-time high, and guess what, youth media engagement is also at an all-time high. Unfortunately for world leaders, you can look around the world and see this same pairing in many a country, both despotic and democratic (or somewhere in-between).

The fact of the matter is, Egypt shutting down the internet was in some ways almost pointless. Unless you completely disconnect your population entirely, all the time, people are going to be social and find others like them online. They will communicate and form new networks and common likes and grievances, and discuss them. They are going to make media and share it, and often you won’t even know who its making fun of until it is too late. By the time a protest starts, the gig is up. Sure, China does a good job of censoring all of this chatter, but that hasn’t stopped people from spreading things like the story of Li Qiming, who after being stopped for a hit and run that killed one woman taunted “Sue me if you dare. My father is Li Gang!” (a high-ranking police officer). In the past this story would have been covered up, but it spread so quickly on the internet as a satiric quote in response to all kinds of corruption that the Government had to allow the story to disseminate and just now sentenced Li Qiming to prison. This story brings up the other undercurrent to these protests – the growing divide between the rich and poor.

As many others have pointed out, there’s a new global elite that hangs out together, builds companies together and rules the world together. As reported in The Economist, some 10 percent of the people in the world control 83 percent of the world’s assets. They are connected to one another, and yes, they are different than the rest of us. As the gap between the super-rich, merely rich, the somewhat rich and the poor widens, there’s a growing sense of inequity that feeds the sense that money and power are one, and this inevitably leads to backlash. Again, the people can talk about this, make media about it and share it and the story goes viral. By the time the “elite” wake up and try to change the conversation, it will likely be too late.

Interestingly, the new global elite also happen to invest heavily in the new technology economy and thus own most of the companies that make the real and virtual newfangled toys we play with. Many of these companies derive most of their value from the input of their users – Google and Amazon get smarter as you search and rate things – and while these products can make our lives easier and more fun, most of the real monetary value accrues to the companies and their shareholders.

What they haven’t seemed to realize until now is that while they may get rich and powerful sucking the data, dollars and power from the masses into these social networks, the masses might one day use these same tools against this very system. You connect the people and they might stop playing Farmville long enough to connect the dots. It is much easier now for the rest of the world to talk to one another and realize that, hey, regardless of political party or country, they’re all getting screwed.

Sure, these same tools can be used against protesters (and have been, in Iran, for example) and yes, you can shut off the credit processing to Wikileaks and the internet to all of Egypt, but once you’ve gotten people talking they don’t stop. Especially the young people. They switch to whispers, they use dial-up modems or phone in Tweets, pass notes through cell doors, but once they’ve shared the truth about the emperor (whichever “truth” they’ve chosen to believe), they don’t shut up.

The revolutions in Tunisia and now in Egypt are responses to very real oppression. You can’t overstate how different things are there from many other places in the world. The problems of disaffected youth in Europe, or the grievances of any given social network may pale in comparison (though not always), but it would be foolish to think that this political disruption won’t spread, in different fashion and at a different pace, to other parts of the world. There are many other countries with an educated youth that can’t find jobs, and that feel the older generations have squandered their future. There are many of different ages who agree with them. Even the magazines of the elite (it’s called The Economist for a reason) recognize that there’s been a growing gulf between the haves and the have nots and that historically, this has led to some bad things. Mix in the speed of communication and ease of connecting disparate groups that the internet offers and you’ve put an interesting spin on this old tale.

In America, the first of the groups to wake up to this reality were the youth who came out in droves for Obama. It’s hard to remember now, but he was a long-shot that only became the great hope after a lot of young, tech savvy people with time on their hands started pushing for him. Ironically, however, many of them now feel disillusioned and the torch has been passed to (grabbed back by?) the largely white, conservative, older, middle and lower class who form the Tea Party (the upper class just funds them). You couldn’t get a much different group than the protesters in the Middle East, but strange things happen in America. Many years ago, they would have been dismissed as just another John Birch Society, but through a mix of social media connection and activism, mixed with some old-fashioned (and borrowed) organizing, they’ve got their agenda on, well, ours. Back in the day, Rick Santelli’s rant from the Chicago trading floor would have inspired a small portion of the viewers of CNBC and perhaps some back-room discussions at think-tanks. Its impact would have only come after years or talking and organizing, but it formed an entirely new political party in the span of just a few weeks (a dire economy, Black president, Hispanic justice and openly gay senator helped fan the fire). Like them or loathe them, the Tea Party is just one harbinger of more to come.

The Tea Party is, to many onlookers, a strange, convoluted backlash to the changing face of America (I know that’s not how they see it, but that’s not the point). Look around America though, and there are a lot of other disaffected, upset people who aren’t represented in our political class or conversation at all (most of whom also raise the blood pressure of those in the Tea Party). They are talking, and while they may be stupefied and coddled by their American Idol and easy, consumerist access to anything they want, anytime they want, they are also starting to talk to one another much more often and that can only lead in one direction – more self- and group-awareness, and that usually leads to change.

In some cases, this will just mean little protests, as we see now with the LGBT community, and their supporters, fighting back against Don’t Ask, Don’t Tell. Soon, however, things could get interesting. What happens when the young wives of incarcerated men, usually flung around the country and very unimportant politically, can connect to one another online and form a voting block? What happens when Latinos, African-Americans, Asians and other people of diverse backgrounds (who also trend young) realize that not only are they now the majority in 10 of our major cities, but that their needs and desires aren’t being addressed by those gathered in Washington (or in Davos). Not all of this will lead to uprisings, or even slight protests, in every case, but it is going to make for something interesting.

The problems in the US are nothing compared to those suffered by people in the Global South, for just one example, but they also pale in comparison to even those in European countries with much less openness, or who have suffered worse through the recent economic crisis. There are legions of well-educated, under-employed people in these countries, and they’re all connected now. While some form of localized political unrest is highly likely in many places, it will be more interesting to see how people combine their common goals, grievances and wills across borders. We’re already seeing evidence of China, Iran and other countries blocking internet reports of the protests in Egypt, and this will likely spread as other regimes get scared. But that’s just the tip of the iceberg compared to more widespread coordination, which we’re only now seeing amongst those bent on global terrorism (or amongst those playing MMORPG, interestingly). What happens when more peaceful (or not), but better organized players connect, communicate and coordinate efforts? Who knows, but it’s something you can bet many government (and business) leaders will be thinking about for quite some time.

In fact, they already have begun thinking about this and planning. Lieberman’s internet kill switch is only a more obvious and public response to fears of people connecting and doing something (good or bad). You don’t have to think about this much to realize that if governments and corporations are meeting in secret to pass things like ACTA, to stop people connecting and sharing (pirated) music and films, they’re definitely having a few such meetings about what happens as this political disruption continues. The high-level interconnectedness of the political, military and corporate spheres was lain bare by the response to the WikiLeaks cables, and you don’t have to be a conspiracy theorist to play all of this out a bit further in your head. Every new technology that has held the potential to bring more power to the people has been inverted and changed to reassert the control of the powers that be. This won’t be any different, though for at least a few more years it may appear that way, and that’s mainly just because the kids are moving faster with this stuff than the adults can process it all.

For now, however, we’re in a time of massive change to the political process and the people’s involvement with it. It’s too early to tell whether this will lead to something better or worse in Egypt, or even Tunisia, but it is clear that for a short window of time, the possibilities for changing the status quo are better than ever. It will be messy, loud and sometimes violent, but more often just pretty damn interesting. There’s a lot of young people connected and talking, and they want to be heard. They are fed up with the status quo and they can see through all that was once made to be misunderstood. They’re talking to one another and they’re getting louder. Cacophony is noisy stuff, but some of those in power better hope these voices don’t get more harmonious.

A worrisome disconnect

A long story for a short post. Don’t ask me why, but I’ve been meeting with hedge fund managers a lot lately, as well as other smart investment banker types who are all smarter than me or anyone I know, especially (if only?) when it comes to economic issues. They are all apoplectic about the future. Not a little worried, I’m talking buy a home in the middle of nowhere, buy a gun and fend off the mutinying hordes kind of shit. Raise a billion dollars to capitalize on the possible future failure of the EU, the Euro and then probably everyone on earth except China and Brazil (who might just slow down, if we’re lucky). The conversations are pretty open, and if there’s more than one “money guy” in the room, they’re not arguing over the disaster to come, just how to profit from it, or avoid some pain.Let me be clear – NO ONE debates this potential reality, just how to profit from it.

I’m not being hyperbolic when I say that hanging out with them can cause pulling of hair and gnashing of teeth. You literally leave the “party” worrying about your future; but having none, you just give up and settle into a despair some might call existential if anyone existed anymore who said anything interesting like that.

Then I meet with people in the film, music and arts worlds. None of this is mentioned. If I bring this up, they laugh nervously and say something like “Oh, things are still bad, and that’s why we’re seeing things like OWS, but I think it will all work out. My donations are up this year.”

I don’t know. Maybe I’m crazy. Maybe I’m pessimistic (lets not get me started on how pessimists are always optimistic, it’s a phrase…), maybe I’m like a blogging version of Michael Fucking Shannon in Take Shelter and am having a nervous goddamn meltdown. That is a reasonable assumption actually, but no…I’m thinking that wishful thinking comes from us here in the arts, not from those more ensconced in the business side of things. Also known as reality.

There’s a big disconnect between those of us in this world and that one. I’d love to think that this one will win. I’m more sure that one will prove true, and while that in and of itself may make a better world, history is against us on all counts. If you aren’t thinking about how this might, and let’s just pretend it’s a big “might” for now, impact your future, then let’s just agree that you are potentially ignoring a very big, uncomfortable, very possible truth. Those of us in “this” world (the arts) should be thinking about this possible future and what it might mean. Best case, we have fun running apocalyptic scenarios on our future; worst case, we’ve wrestled with gun-ownership issues we thought were worth leaving to right-wing-nuts. Either way, we’ll all be in a better place tomorrow, and perhaps we can build a better system for that future regardless of what it might bring. Doing the usual thing, which is ignoring this disconnect (as we seemed to be doing in the run up to September, 2008), doesn’t seem to be the most prudent action.

What gives?

Which would you buy?

USuk

The Window Project at GSU

Georgia State University (GSU) in Downtown, Atlanta has sent out this call for submissions. I don’t usually post these, but this is a really cool opportunity for media artists, and you can’t believe the foot traffic that goes by here in what is otherwise a car-town. Check out the info below and submit something cool:

Now accepting submissions for The Window Project.

See a previous installation of this unique space in this short video:

http://vimeo.com/28944126

The submission process is on-going. Each installation will be screened nightly from dusk until dawn for one month. We have current openings in 2012 for:

April, 2012               Submission Deadline is Feb. 1, 2012
May, 2012                Submission Deadline is Mar 1, 2012
June, 2012               Submission Deadline is Apr. 1, 2012
July, 2012                Submission Deadline is May. 1, 2012
August, 2012           Submission Deadline is Jun. 1, 2012
September, 2012    Submission Deadline is July. 1, 2012
October, 2012         Submission Deadline is Aug. 1, 2012
November, 2012     Submission Deadline is Sep. 1, 2012

The Window Project is a curated outdoor, new media installation space facing the southern end of Woodruff Park from the windows of the Digital Arts Entertainment Laboratory (DAEL). The infrastructure consists of six high definition projectors synchronized to create a rear-projection screen that stands over six feet high and spans over 80 feet in width and can be seen from any vantage point in Atlanta’s central park and from the main pedestrian path of students of Georgia State University. The mission of The Window Project is to create a public art space that engages the community and enhances the Georgia State University campus and downtown Atlanta.

We invite the participation of local, national and international emerging and established moving image artists to submit current work reconfigured for six projectors around a curved surface or new work specifically created to take advantage of the multi-projector format. This space and format allows artists to break from the constraints of a single screen on a flat surface with a prescribed viewing point. We do not seek a specific theme for the content, but expect that it should be of high visual, technical and conceptual quality and well suited for this unique public space, which is large, but subtle due to the curved glass and location on a downtown building window.

This project is sponsored by the Digital Arts Entertainment Lab. DAEL is a multimillion-dollar entertainment research and production facility located in the heart of downtown Atlanta on the campus of Georgia State University. Through industry and university partnerships, DAEL facilitates the creation and testing of digital media content. DAEL incubates emerging media arts businesses, trains graduate students and engages in user-centered media research.

How to Apply:  Please email a brief artist statement, a link to artist website and up to 5 images or videos to: eli@gsu.edu with “The Window Project” and your name in the subject line. If an emailed/internet submission is not possible, a CD or DVD can be sent in the mail. Feel free to email questions to eli@gsu.edu as well.

Rooftop Films Benefit – Light the Spark

Live in New York City? Well if you do, and probably even if you don’t, you probably know that Rooftop Films is one of the best film organizations around town. They not only present hundreds of films on Rooftops (and beaches, and…) all year round, they also give grant money to filmmakers, rent equipment and teach filmmaking. And they’re a heckuvalotta fun. I joined their board of directors this year, and that gives me the honor of shamelessly plugging them here – which I’d do even if I wasn’t on the board.

BangLet’s face it, what other film organization does all of this and then holds its annual fundraiser for just $50 bucks? That’s right, for just $50 you can hang out with some awesome filmmakers, meet cool people, listen to music, learn about what’s next for Rooftop Films and…network with potential donors. That’s right, they’ll be there too, but don’t tell anyone I told you that. This kind of action would set you back $500 to $1000 + at other organization’s benefits, but Rooftop Films is cool like that. Trust me, the evening will be fun enough to warrant the $50, with booze, food and entertainment. AT&T is helping sponsor the event, and I personally guarantee that anyone who buys a ticket will have a good time while supporting a great organization.

Full details are below and here. Can’t make it, but still want to support the organization (for less or more than $50)? Click here and make a donation.

Here’s more info from Rooftop Films:

Rooftop Films and AT&T honor the Rooftop Filmmakers’ Fund grantees in an intimate benefit, and light the spark for Rooftop’s 2012 Summer Series, our 16th year of Underground Movies Outdoors.


YOU’RE INVITED TO LIGHT THE SPARK

You are invited to this intimate benefit with emerging filmmakers Sean Durkin (director of Martha Marcy May Marlene, starring Elizabeth Olsen), Gillian Robespierre (director of Obvious Child, starring Jenny Slate), and dozens of other Rooftop alumni whose careers we’ve helped ignite.

Your contribution at this party will help sustain Rooftop through the cooler months and help us prepare for another amazing year of outdoor cinema. Gather around the hearth and be a part of Rooftop’s vital community.

Filmmakers in attendance/ live music from Rooftop bands / Complimentary food and drink!

Learn more about what we do for filmmakers HERE

Can’t make the benefit? Make a tax deductible donation HERE, or inquire about our Funder’s Circle at donate@rooftopfilms.com.

VOD: Losing Millions

If you were to sit down and try really hard to make the worst user interface on the planet, I bet you couldn’t do a better (worse) job than Time Warner has done with it’s On Demand system. This holds true across all cable companies, but Time Warner is reputed to be the worst one, according to all my friends who broker with these clowns.

When I bother to turn on my cable and search for something to watch On Demand, it is a painful experience. Nine times out of ten, the system won’t start, leading me to NY1 no matter what I do. Want to watch a preview? Oops, that will get you stuck again. Want to get out of one of their ingenious channels, like “In Theaters,” good luck.

The system is so bad that the aggregators who put films in the system literally tell you that your film title should be low in the alphabet (or start with a number) so that you end up earlier in the A-Z list because most consumers don’t make it past the C’s. Really.

This would all be cute, except I’m willing to bet that it’s costing the film industry millions. Billions maybe. Lots of recent reports, like this one from The Wrap, point out how much money indies and Hollywood are making from VOD. It is the future, and I’m not arguing against it. But the fact that consumers will put up with this much crap to watch their movie at home, on demand, tells me that there’s a staggering amount of value being left on the table. If these interfaces worked at all, I’m willing to bet that VOD revenues would skyrocket – not double, but increase by a magnitude of 300% or greater. It’s likely the top reason that people turn to pirate sites – they’re that much easier to use.

Why do cable companies use such shitty technology today? Why do film companies allow this travesty to continue?

My only guess is that cable companies can’t compete with Silicon Valley. All the good engineers go to tech start-ups and cable companies (and their device makers) are left with the bozos who can’t compete. Either that or cable company executives are the bozos left behind… but that can’t be right, could it?

Nope. My real guess is that it’s just another case of the industry collectively sitting on it’s ass accepting the status-quo. This makes for a nice space for disruption, but it makes for a crappy consumer experience, which come to think about it is the new mantra for all things in film consumerism – crappy consumer experience.