There’s often a lot of debate in the world over whether or not film can have an impact in the world. Well, today’s NYT shows the unexpected impact of the film Persepolis (Marjane Satrapi) on the upcoming elections in Tunisia.
Screenings of the film on a Tunisian television station have fueled a debate over religion vs freedom of speech, and many people expect it will lead to a victory for the more mainstream, but still conservative, Islamist party in the country. As the NYT puts it today:
“The episode began when a relatively small group of ultraconservative Islamists attacked the television station that had broadcast the 2007 film, about a Muslim girl growing up in post-revolutionary Iran, because of a scene in which she rails at God. He is depicted as she imagines him, violating an Islamic injunction against personifying him”
Public disapproval of the film has been strong enough to shape the debate over where the country is headed. As the article goes on to explain, it’s not that the film discusses other liberal values – people didn’t feel offended by shows depicting “racy scenes from French films or of couples kissing in public that might not fit with traditional Islam.” They were specifically offended by what they considered the blasphemous act of depicting visions of God.
There seems to be much debate over whether the broadcaster purposefully showed the film to ignite tensions and stir debate over religious vs secular values, but according to the article, this has become a lightning rod issue in Tunisia.
Some consider the debate to be quite telling: “Some individual liberals observed with wry satisfaction that the film told the story of a supposedly liberal revolution that turned oppressive after Islamists took power in Tehran — bolstering the liberal argument that Tunisia’s moderate Islamists should not be trusted, either.”
I don’t know enough about politics in the region – or even religion in the region – to have much say in this debate, but I’m fascinated with how this little film can still have so much impact globally. Shows the power of the moving image – even if its not always in ways we expect.